happening, the artist and 3 participants(friends) – 2009, 5’th October location: Lábas Ház, Sepsiszentgyörgy/Seklerland/Transylvania/Romania
The happening tries to reveal the idea of holiness associated with bread. Because of this reason, the participants given their religious and artistic belief, have changed the outcome compared to what the artist had in mind. It should be known, that the happening evokes a loose common work similar to the very first breadblog work of Vetró Barnabás.
Description of the happening by the artist:
The paintings hanging on the wall of the exhibition space had been flipped and afterwards I had brought in the breads, hidden under my T-shirt. They had already been pealed, I had left them in the center and I went next to the wall. In front of me, my three guests was in front of the three windows. I had thrown at them and they had standed my attacks. There has been someone who had threw back a couple of times, or was simply eating bread. The camera that was positioned in the corner, was recording the events. Afterwards, photos have been taken of the space. Translation: Etelka Tamás
object – 2009,
artist born and lives in Düsseldorf
exhibition: 11′th International Istambul Biennial
“Bread (2008) consists of a slice of bread, the middle of which has been eaten, so that the remaining crust frames an absence and emptiness. The crust is shown on the white museum pedestal as a sculpture. Evoking metaphors of bread as a symbol of life and labour, but also of precariousness and poverty, this small, modest work possesses true monumentality” – text source
object – 1978 -2009,
artist born in Belgrade. Lives in Zagreb
exhibition: 11’th International Istambul Biennial
“Since the mid-1970s, Mladen Stilinović has developed artistic strategies using ‘poor’ materials. His works are simple in their execution and engage with such subjects as pain, poverty, death, power and the language of repression, as ongoing and mutually connected conditions. Usually the title is inscribed into the work itself, for example, in a series dealing with food: Geometry for the poor, Cabbage, Borecole, Potato, Bean, Leek, Corn, Cakes, I bite myself, I devour myself, Eat yourself, Bite yourself and Charge, cakes!” – text source
live performance – 2009 March ,
location: PAC (Padiglione d’Arte Contemporanea)- Milan
Vanessa’s performance Vb65 is a “Last Supper” of 20 African immigrants, legal and illegal, dressed in suits, eating chicken and bread without cutlery, drinking water from the carafe without glasses. After they finished the meals I see more defencelessness in their eyes than satisfaction. Even the 12 meter transparent table gives the “you can’t hide” feeling.
I’d like to find out what were they thought about in that time.
performance – 2009 February 12 ,
location: ARCOmadrid – international contemporary art fair
represented by: DNA, Berlin
This is the second post (see the first one) with a new performance of Tatsumi. His performance might well make allusion to the crucifixion of 26 Christian missionaries in Japan in the 16th century, as punishment for their perceived destabilising influence. Orimoto thus expresses how the carrier of bread, the bearer of a different other message, is seen as a threat and is persecuted and martyred. Through the bread scattered on the floor in Punishment, we are witnesses to this waste of communication.” (excerpt from the press release).